The soundtrack that Dan Goldring has adapted from Debussy is nothing short of genius and the way has been implemented into the game with perfect timing is visionary. It keeps up with you and the goose through it all as you decide that you really must steal all the gardener’s flowers. Even if you decide to create your own heist the soundtrack never misses a thing. On top of that, the game embraces the fact that while it has set you specific challenges a large part of Untitled Goose Game is making your own fun. The music puts in stark contrast the idea of stealthing under a table or quietly pretending to be a statue with the fact that while you might feel like a Machiavellian genius, you are actually a goose. It makes you feel like a genius when something pulls off one act of silliness after the other, but also constantly reminds you that you’re a goose. The soundtrack seamlessly transitions from one part of your caper to the next. But if you fail and get spotted, this is when the music has the most fun as the goose is chased away and the player simultaneously howls in laughter and tries to salvage their operation like an avian bank robber who has stolen a sock.Īnd all of this is perfectly in timing with every single element of the game. And then if you succeed, the music revels in it and rewards the player by almost giving them permission to unleash that laugh they’ve been holding in.
#Untitled goose game soundtrack full#
Once you’re in full swing of the escapade, this is when the soundtrack gets really excited with haphazard keystrokes that make you feel like you are going to get away with something naughty. More than that though, they mark the start and finish of each story and turn them into something akin to an animated short.Īs soon as your brain realises there is mischief to be had, the piano kicks in to raise the tension asking the question of whether the goose will successfully start this story. There are swells and temp increases at all the right moments to turn each challenge into a mini vignette. The soundtrack to Untitled Goose Game, by Dan Golding, is this collection of playful piano tracks that perfectly accompany the cheek and mischief the goose gets up to throughout the game. It’s the music that elevates everything, tying everything together and sets that laugh bubbling inside as you do stupid things as a goose.
All of which is fun, in a sort of chaotic Machiavellian, low stakes, evil goose sort of way. All of which is carefully orchestrated by the goose. You are set challenges that unfold like mini set pieces from chasing a child into a phone box or having the same child buy back their toy from an angry shopkeeper. It turns out that it is about a goose causing mischief within a structure similar to the modern Hitman games. When Untitled Goose Game was released it was something of an industry curio and ended up at the top of the Switch charts as everyone wanted to know what this game was about. You can definitely imagine some brand new goose antics while you listen.Whether it’s a clever mechanic, brilliant piece of music, or some unique feature that fuels the ludonarrative, Best Bits highlights the things that make us love games. Still, Golding's tempo flourishes shine through in these full-length versions. In contrast, the soundtrack versions more or less stick to the songs as Debussy wrote them, with fewer silent parts than you'd hear in a playthrough of Untitled Goose Game. To get Debussy's tunes to stop and start on a dime in accordance with whatever goose-wrought chaos players pursue, he worked with developers House House to make all of the tracks into about 400 two-beat sections of varying tempos. For now, the album isn't listed for purchase on Decca Classical's catalogue, so there may be a wait before you can purchase a digital or physical copy. That said, since Untitled Goose Game's jaunty piano tracks are all adaptations of Claude Debussy's Préludes-written near the turn of the 20th century, it's neat to see that the soundtrack is now out courtesy of Universal Music Australia and Decca, an international classical music label.ĭan Golding, the musician behind Untitled Goose Game's reactive Debussy soundtrack, announced its release via Twitter. Is there something you think we should be reporting on? Email are plenty of games in the world with amazing scores that would absolutely be right at home on a classical music label, but few get the opportunity.
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